Being able to do a concert level tuning has many advantages.
The first one being the most obvious - you can successfully tune for a concert or professional musician - but there are many peripheral benefits that you may not have considered.
Many beginner and experienced piano technicians have been known to respond to the idea of getting concert level tuning skills with responses like, "Oh, I don't want to tune for concerts. Too much stress.", or "I am happy just tuning for my residential customers."
If you feel this way about getting concert level tuning skills, you are missing out on all these benefits that can improve your business and the service you provide for your customers.
The International Piano Technician School (iPTS) teaches the Go A.P.E. aural piano tuning system for more Accurate, Precise, and Efficient aural piano tunings.
Watch the videos below to learn how we do things differently so that motivated students routinely get concert level tunings in months instead of years.
Beginning technicians are often advised to initially set F3-A3 to 7 beats per second (bps). Mathematically F3-A3 = 6.9 bps in equal temperament so it’s a good guess.After using the skeleton or contiguous M3’s also known as Jack’s Stack, we can refine F3-A3 to be more what the piano needs, but 7 bps is a
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I often read questions on piano technician forums from technicians asking how to regulate a specific piano. For example, recently someone posted this.“I’m regulating a piano and the book says to regulate blow distance at 1.5 inches”or“I can’t find any regulation specs for this specific piano in any books” The writing of these books implies
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When a string is played, it vibrates in different modes. It can vibrate in one section, two sections, three sections, etc. These modes are called partials or harmonics. The following graphic shows how the harmonics relate above the note A4. When two or more strings are tuned together, all of their partials must have
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