July 19

My Experience at the Denver PTG Annual Convention and Technical Institute

News

0  comments

  

I'm in the airport waiting to go home after spending five days at the national PTG convention and I thought I would post some of my experiences.  First, I taught two classes, one on stability and one on tuning. I have never taught at the national level before. I was terrified. My lips were so dry before my first class that no matter how much I drank, nothing helped. I made a joke of it at the beginning of class, so that helped me relax a bit.  I met a lot of people at my booth and found out that there are a lot more technicians who teach piano tuning than I thought. But the most impact the experience had on me was just being in a place with some many people interested in piano technology. People were able to strike up conversations easily, having the same interests.  Here were some of the most memorable moments for me: - Meeting my roommate, Jack Houweling. Check out his woodworking youtube channel: Jack's Woodworking - Singing along with Larry Crabb and the barbershop singers.  - Dale Probst's touching Golden Hammer acceptance speech.  - Meeting Robert Scott of Tunelab, a real down to earth, kind man. And obviously very smart.  - Having lunch with Randy Potter at Wendy's and hearing his stories about hunting with his uncle.  - By some strange stroke of luck, sitting at the Golden Hammer recipients table with greats Leroy Edwards, Rick Baldassin, and Wally Brooks, although I was too shy to actually talk to them.  - Meeting Paco Morales. I was invited to teach in Ecuador with him but it didn't work out. His passion for piano technology was infectious, even though we didn't talk pianos much. We talked about Salsa music and Puerto Rico.  - Losing my luggage with half the items I needed for my classes and my booth.  - Finding my luggage.  - Seeing all the rabbits outside. I've never seen that many in the city and they were not afraid. I highly recommend attending a regional or national conference (not just for the rabbits. I can't guarantee there will be any in Norfolk).  For me, it was like grad school and I learned a lot. 

About the author 

Mark Cerisano, RPT, B.Sc.(Mech.Eng.)

Instructor and Founder, howtotunepianos.com

You may also like

Setting F3-A3

Beginning technicians are often advised to initially set F3-A3 to 7 beats per second (bps). Mathematically F3-A3 = 6.9 bps in equal temperament so it’s a good guess.After using the skeleton or contiguous M3’s also known as Jack’s Stack, we can refine F3-A3 to be more what the piano needs, but 7 bps is a

Read More

How to Regulate a Piano!

I often read questions on piano technician forums from technicians asking how to regulate a specific piano. For example, recently someone posted this.“I’m regulating a piano and the book says to regulate blow distance at 1.5 inches”or“I can’t find any regulation specs for this specific piano in any books” The writing of these books implies

Read More

Analysis of a Unison – Before and After

When a string is played, it vibrates in different modes. It can vibrate in one section, two sections, three sections, etc. These modes are called partials or harmonics. The following graphic shows how the harmonics relate above the note A4.When two or more strings are tuned together, all of their partials must have the same frequency

Read More