In this test, the coincidental partials are filtered,
so they are easy to hear. You will also see a graphical representation of where the A3C#4 is relative to F3A3 and C#4F4 The beating occurs two octaves above the top note of a M3. Use the Filtered and Unfiltered buttons to train your ear
so that you can easily hear the beating partial within the unfiltered interval. Tune C#4 so that each of the three intervals beats as SLOW - MEDIUM - FAST
but if they change speed each pair by the same degree, or ratio,
then C#4 will be accurate.
Tune C#4 so that A3C#4 is exactly halfway between
F3A3 and C#4F4, like this:
F3A3------A3C#4-----C#4F4
